Deck No.1 - Turncoat Skate Deck D*face
Deck No.1 - Turncoat Skate Deck D*face
Deck No.1 - Turncoat Skate Deck D*face
Deck No.1 - Turncoat Skate Deck D*face
Deck No.1 - Turncoat Skate Deck D*face
Deck No.1 - Turncoat Skate Deck D*face
Deck No.1 - Turncoat Skate Deck D*face
Deck No.1 - Turncoat Skate Deck D*face
  • Load image into Gallery viewer, Deck No.1 - Turncoat Skate Deck D*face
  • Load image into Gallery viewer, Deck No.1 - Turncoat Skate Deck D*face
  • Load image into Gallery viewer, Deck No.1 - Turncoat Skate Deck D*face
  • Load image into Gallery viewer, Deck No.1 - Turncoat Skate Deck D*face
  • Load image into Gallery viewer, Deck No.1 - Turncoat Skate Deck D*face
  • Load image into Gallery viewer, Deck No.1 - Turncoat Skate Deck D*face
  • Load image into Gallery viewer, Deck No.1 - Turncoat Skate Deck D*face
  • Load image into Gallery viewer, Deck No.1 - Turncoat Skate Deck D*face

Deck No.1 - Turncoat

D*face

£507.37
£507.37
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D*face

Dimensions: 32 x 8.25 Inches / 80 x 20 cm

Medium: Five-colour, hand-pulled screen-print on sustainably sourced 100% Canadian Maple skate deck. Deck top is single-colour silkscreen printed.

Provenance: Hand-numbered by artist. Comes with a gallery certificate of authenticity. 

Edition: Limited Edition of 300 (#149/300)

Year: 2024

Condition: New (Still in plastic wrap)


ABOUT THE ARTIST

D*Face, aka Dean Stockton, is an English multimedia graffiti street artist who uses spray paint, stickers, posters, and stencils. D*Face is one of the most prolific contemporary urban artists of his generation. Working with a variety of mediums and techniques, he uses a family of dysfunctional characters to satirise and hold to ransom all that falls into their grasp.

His aim is to encourage the public not just to 'see', but to look at what surrounds them and their lives, reflecting our increasingly bizarre fascination for with celebrity, fame, consumerism and materialism, re-thinking, reworking and subverting imagery drawn from a refuge of decades of materialistic consumption, imagery appropriated from currency, advertising, comic books, these now iconic motifs, cultural figures and genres are subverted to comment upon our conspicuous society.